Your search for keyword 'performance practice' returned 8 results in 'Projects'.
The research is focused on the development of the interaction between a live coder and an acoustic musician with focus on the pianist in particular.
Though they are generally regarded as invaluable traces of late-Romantic style, early twentieth-century recordings make for uncomfortable bedfellows with modern norms for the performance of certain nineteenth-century repertoires and the canonic identities protected by those norms. Nowhere is this truer than in Brahmsian spheres, where the version of Johannes Brahms communicated by the recordings of the Schumann-Brahms circle of pianists stands in stark contrast to constructions of his 'Classical' identity and its underlying aesthetic ideology of control.
Hendrik Vanden Abeele
His research dives into the development, construction and creation of a present-day performance practice of late medieval plainchant, based partly on his work with the Belgian chant group Psallentes.
How can the field of instrumental practice extend its epistemic horizon into a broader field of bio-cultural inquiry?