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Projects
Your search for keyword 'voice' returned 5 results in 'Projects'.
The confrontation between voice and electronics
Marie Guilleray
The principal aim of this research is to explore the confrontation between voice and electronics. This confrontation will fundamentally examine emergent relationships between voice and electronics, especially pertaining to constituting the voice’s identity in music, the use of extended vocal techniques, augmenting the voice with electronics, and relating concepts of embodiment and disembodiment within this context. Additionally, this approach to artistic research will aim at examining how confrontations between voice and electronics can create new perspectives for both of the voice and contemporary practices utilizing electronics.
Thresholds of the Audible
Mark van Tongeren
In our culture, vocal harmonics fuction as independent musical elements since only a few decades. Thresholds of the audible explores the changing relationship between singers, listeners and harmonics. As a research method a series of compositions (Nulpunten/’Zeropoints’) has been developed, which attempt to make a fresh approach to overtone singing and to the sonic source material of the human body.
What Late Medieval Chant Manuscripts do to a Present-day Performer of Plainchant
Hendrik Vanden Abeele
His research dives into the development, construction and creation of a present-day performance practice of late medieval plainchant, based partly on his work with the Belgian chant group Psallentes.
Discantare Super Planum Cantum
Niels Berentsen
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or ‘early’ music. Ensembles perform pieces written by known or lesser known composers, which the listener can revisit by listening to recordings or reading a score.