Your search for keyword 'electronic' returned 4 results in 'Projects'.
Juan Parra Cancino
What is the role of the performer in electronic music? What can he/she contribute to a music practice that holds the ability to be "infinitely" precise? Can the computer become a musical instrument? What are its possibilities, and what are its limitations?
This dissertation explores sound, its image and its role in relating humans and our technologies to the environment.
Music performance with technological instruments questions the relationship between embodied experience, situated cognition and the instrument. Key elements that constitute a present, aware and embodied music performance in an exploratory music practice are agency, intentionality and perceptual attitudes. Based on the experience as a performer on stage, a particular focus is put on the cognitive processes and types of awareness of the body in exploratory music situations.
Is it possible to abandon the faithful reproduction of a score without rejecting the legacy of Western notated art music?