The research is focused on the development of the interaction between a live coder and an acoustic musician with focus on the pianist in particular.
The thesis presents a new perspective on Giovanni Girolamo Kapsperger (ca.1580-1651), who is nowadays only famous for his works for theorbo and lute, his remarkable output of vocal music of all genres being still mostly neglected from musicologists and performers.
The thesis wishes to examine the pathways of thought underlying the creative act of music making and the performance practice of complex music from the late twentieth and early twenty-first century. The questions at stake in the case of a ‘new’ complexity score, that is to say what is the significance of the extreme complex notation, are the score and the music playable and do they work, and how and under what condition do they work, these are the issues to be resolved by the performer.
Cathy van Eck
Cathy van Eck's research takes the artistic use of the devices that bring sound waves into electricity and back as its central focus point; they are commonly called microphones and loudspeakers. These devices have become essential for many forms of music making. Through the same pair of loudspeakers, people listen to diverse music and sound, such as violin sonatas, rock songs or simply the latest news. Accordingly, microphones and loudspeakers are often designed to remain transparent; that is, "inaudible" in the final sound result.