Mark Edwards
The principle of Werktreue, or fidelity to the musical work, has long been performers' most important ethical imperative. Yet, the rigid work concept may not be the best way to think about the fluid arts of performance during the 17th century. Edwards proposes instead to approach this music through the lens of rhetorical memory.
Trefwoorden:
ethics, harpsichord, improvisation, media studies, organ, rhetorical memory
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