Geplaatst op 11 Feb 2025
November 17-18, 2025
Orpheus Instituut (Ghent, Belgium)
Convenors: Adam Łukawski, Martin Zeilinger
Topic
Artificial intelligence (AI), with its learning algorithms operating at scale, can mimic human creative agency, and blockchain technologies, through smart contracts, can augment works of art with more or less autonomous behaviours that correspond to the agency of human participants in socio-economic interactions. While such developments can destabilise traditional notions of ownership, provenance, and agency in musical practices, they can also empower artists. Those working creatively with sound and music are today increasingly becoming system-builders and curators of musical ecosystems, turning their focus from the creation of singular, standalone musical works (in any traditional sense of the term) to the design of systems capable of generating artworks. This suggests an evolving role of music-producing systems today: from fixed intellectual constructs and creative expressions to dynamic, more-than-human technological networks that not only actively participate in the production of artworks with increasing levels of agency, but which can themselves be considered as artworks that constitute generative, expressive assemblages. This shift is further emphasised in distributed contexts, where varying levels of automation blur the boundaries between human and non-human contributions, creating environments where agency is negotiated and shared across diverse actants.
Themes
We invite contributors to join us in exploring continuities, differences, and new challenges and opportunities arising in this context. Submissions to the conference should examine the intersections of music and sound art, technology, creativity, and philosophy, and focus on how the shifts outlined above redefine the roles of artists and the nature of musical practices. By exploring the implications of AI and/or blockchain technologies as agential systems, we aim to engage with emerging frameworks that rethink, challenge, or advance traditional perspectives on authorship, creativity, and collaboration.
We welcome proposals addressing, but not limited to, the following themes:
This conference aims to foster an interdisciplinary dialogue around the transformative role of agential systems in music and sound art, offering a platform to share innovative practices, critical perspectives, and creative insights.
Submission guidelines
We encourage submissions from researchers, artists, and practitioners working across disciplines, including music, sound art, digital art, philosophy, media studies, and computer science.
Title + Abstract (300 words) detailing the relevance to the conference themes. A short biography (150 words max). Technical or spatial requirements, if applicable.Proposal submission deadline: June 15, 2025 Notification of acceptance: July 15, 2025