NL
/
EN
What are you looking for?
Are you looking for research projects? Search via
projects
.
Search
Apply now
NL
/
EN
Apply now
About docARTES
docARTES partners
Organisation
Contact
Programme
Curriculum
Faculty
Supervision
Handbook
Interim evaluation
PhD Defense
Admission
Admission requirements
Procedure
Application form
Enrolment fee
Study contract
People
Research projects
News and events
Nederlands
English
Home
Research projects
Research projects
Filters:
Status
Ongoing
Finished
Musician type
composer
keyboard
strings
wind
percussion
electronic
voice
other
conductor
stringed instrument
Music Educator
Period
ancient music (before 13th century)
13th century music
14th century music
15th century music
16th century music
17th century music
18th century music
19th century music
20th century music
21st century music
Tags
'800
16th century
18th and 19th century music
18th-century
21st century salon gatherings
absence
accordion
acoustic ecology
acoustic feedback
acoustic sound alteration
aesthetics
affetto
african
african music
airs sérieux
algorithmic composition
amorphous 6-string
amotivic
analytically informed performance practice
ancient Greek music
arabic music
archeology of emotions
arditti
arpeggione
arpeggione history
arrangement
artistic processes
atonal
attentional focus
audience behavior
audience reception
audio-visual
authenticity
autographe
avant-garde
Bach
Ballard
barokcello
baroque
baroque dance
baroque flute
baroque gesture
Barrett
Bartok
basso continuo
bassoon
Beethoven
being-with
berlin
Beytelmann
bio-cultural
body
bow camber
bow mechanism
Brahms
Cage
Canterini
Castel
cello
cello performance
cello performance practice
chamber music
church music with salterio
clarinet and bass clarinet
clarino
Classical guitar
clementi
Clock
cluster and glissando techniques
co-creation
coastal ecology
cognition
collaboration between composers and performers
collaborative process
comic style characteristics
composer
composer and performer
composition
composition rules
concerto
concrete sound
conductor
confrontation
consciousness
contact-piezo microphones
contemporary arpeggione repertoire
contemporary multidisciplinary art
contemporary music
contemporary performance practice
contemporary pianosonate
continuo
continuo realization
controlled interactivity
cor basse
corporeality
Corri
counterpoint
creating and curating 21-st century salon performances
creation
creative coding
Cretan music
cross-modal performance
cultural heritage
decay
deep learning
details
devotional songs
didactic plan
diegesis
digital and acoustic music
diminutions
disembodiment
dissonance curves
dissonant
diy electronics
domestic singing
early
ecological instrument
electric guitar
electroacoustic
electroacoustic performance
electronic music
electronic music and media
electronics
embodiment
enlightenment philosophy
environment
environmental sound
ethics
ethnic music
ethnomusicology
etudes boreales
experimental
experimental music
experimental rock
experimentation
Exploring and test new performative concepts of the 18th and 19th-century music
expression
expressive timing
extended techniques
failure
Feldman
female performers in historical context
Ferneyhoughs
field recording
figured bass
fingerings
fixed
fixed media music
fluidity of cultures
flute
fortepiano
Francesco Durante
free-bass
french orchestral pieces
galant style
Geminiani
gesture
Giacinto Scelsi
Giovanni Paiasiello
giovanni punto
Giustiniane
Grenser & Wiesner
guitar
harmonic space
harmonics
harmony
harp
harpsichord
hip
HIPP
historical acting techniques
Historical Harp
historical informed performance practice
historical keyboards
historical performance practice
historical theory
historically informed performance practice
horn
horn violin
human-technology relationship
humor techniques
identity
ideology
idiosyncrasy
immersion
improvisation
indeterminacy
innovations
instrumental preparation
instrumentation
instruments
intabulation
interaction
intermediality
interpretation
interval groups
intrinsic learning
intuitive
jazz
jewish
jules delsart
Kapsperger
Karel Straube
Käte van Tricht
keyboard
keyboard methods
Lachenmann
lehrtätigkeit
life-form
limitations
linguistics
listening
live coding
live computer music
live electronics
loudspeakers
Luigi Nono
Mancini
marimba
materialization
media studies
mediation
medieval italy
medium
memory
Messiaen
Michael Vetter
microphones
modal music
modern vs historical piano performance
Monteverdi
movement
Mozart
multimedia
multimedia storytelling
music and society
music composition
music education
music notation
music performance
music theatre
musical education
musical experiment
musical humor
musical instrument making
musical performance
Musical Rhetoric
musical time
Musical Topoi
musical-gestural
musicology
Narrative
natural trumpet
negative
new opera
new performative concepts
new performative concepts of 18th- and 19th- century music
ney
notation
openness
opera
opera creation
opera making
operetta
orchestration
organ
organology
ornamentation
oud
overtone singing
paganini
paino
panormo
paris conservatoire
partimento
passaggi
percussion
performance
performance analysis
performance as research
performance authenticity
performance context
performance practice
performativity
performer
performing practices
personal theory
phenomenology
philosophy
phrasing
piano
pianoforte
Piazzolla
plainchant
plainsong
player interaction
playing styles
polyfony
polyphony
post-lully
post-minimalist
poststructuralism
posture
prepared piano
Preumayr
proximity
psychoacoustics
Pugliese
Pullj
quattrocento
quintes
RASB
re- contextualization
re-generative sound art
reality
reception
reconstruction
recorder
recordings
reductive approach
register
relational practices
renaissance
renaissance music
repertoire
reproduction
resonance
rhetorical memory
rhythm
rhythmic freedom
Rome
russian
Salgán
salon musical
salterio
saxophone
saxophone without music
Scelsi
schenker analysis
schumann
scorescapes
scoring
semantics
serial composition technique
shared leadership
shepard tones
sinfonia
skill acquisition
social function
socio-cultural projects
software
solo violin
sonata
sonic
sonic object
sound art
sound production
sound synthesis
soundscapes
space(s)
spatialisation
spatiality
spectrum
spirituality
Staging and curating a 21st-
string piano
Stroh violin
structure
Swedish composers
systematic approach
tailles
tango
taqsim
Tartini
taste
technique
techno-intuition
technology
tempo
tempo modification
temporal gestalt theory
text-underlay
the sublime
theater
theatre
theatrical performer
theory-practice gap
timbre
time frames
topical attractor model
tourte bow
tradition
traditional Greek music
traditional singing
tragédie en musique
transaction spaces
transcription
transdisciplinarity
transitional bow
transkriptionen
transmission
transverse flute
traverso
trombone
tuning
ud
unaccompanied
unconventional electronics
vaudeville
velocity
vibraphone
videlicet haute-contres
viola
viola d'amore
viola da gamba
violin
violone
viotti
virtuality
virtuosity
vision
vocal music
voice
west africa balafon
work concept
Xenakis
L'Homme. Les Sons. Faithful to What? Searching For an Emancipated Performance Practice for Giacinto Scelsi's Music Within the Complexities of His Creative Routine.
2017-2022 by
Marco Fusi
Marco Fusi investigated the complex creative process of Giacinto Scelsi, looking for interpretative suggestions residing within his artefacts. The subject of analysis was Scelsi's opus for strings.
Giacinto Scelsi
,
performance
