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The principal aim of this research is to explore the confrontation between voice and electronics.
voice, identity, electronics, confrontation, disembodiment
Though they are generally regarded as invaluable traces of late-Romantic style, early twentieth-century recordings make for uncomfortable bedfellows with modern norms for the performance of certain…
performance practice, piano, identity, Brahms, recordings, ideology, performance analysis, experimentation
The focus of the research lies in the approach of reducing, denying, or taking away essential elements of music making in order to let the musician become theatrical.
composition, performance, music theatre, theatrical performer, intermediality, theatre, performativity, absence, reductive approach, identity