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A Philosophical and Practical Reappraisal of Musical Taste.

This project investigates what the philosophical en practical consequences are of a reappraisal of the 17th-and 18th-century concept of taste when it comes to general and historical performance practice
1536571806 joao carlos santos

João Carlos Ferreira de Miranda Santos

blazer
Trefwoorden: taste, musical performance, theater, philosophy
Looptijd: Gestart in 2018
Periode: 17de eeuwse muziek, 18de eeuwse muziek
Type musicus: blazer
Universiteit: Universiteit Leiden

Often in primary literature, authors appeal to the necessity of having taste (or good taste) when explaining what good musical expression is. Our contemporary notions, however, differ considerably from what they meant by taste, and reassessing their older meaning might have interesting consequences for how we understand musical performance, composition and style.

Furthermore, they suggest that acquiring taste might endow the artist with a practical methodology, which relates musical expression not only to declamation and theater, but also to the arts, history, philosophy and even politics. But in order to appreciate better this older conception, João would like to link it to other fields of research such as Philosophical Hermeneutics, Dramatic Theory, Cultural Darwinism and the Authenticty Debate.