Dolce Napoli: Approaches for Performance.

In her PhD thesis, Inês examined two previously neglected topics, Baroque Italian recorders and the Neapolitan Baroque repertoire for the recorder, and then combined both aspects in her artistic practice.
1436947515 ines d avena by aleksandra renska

Inês de Avena Braga

Trefwoorden: baroque, recorder, sonata, concerto, sinfonia, panormo, Castel, Mancini, Pullj
Looptijd: 2010-2015
Periode: 17de eeuwse muziek, 18de eeuwse muziek
Type musicus: blazer
Universiteit: Universiteit Leiden

Recorders for the Neapolitan Baroque repertoire 1695-1759.

First, information was collected on all Italian Baroque recorders currently known, including biographical references about the makers of these recorders, as well as technical drawings, measurements and photographs. The practical experience with the copies of a few of those recorders was described by the author. Second, the Baroque repertoire composed in Naples for the recorder was researched, uncovering a rich and forgotten corpus of music written and copied between 1695 and 1759. The Neapolitan recorder works were also listed with a brief analysis and further commentary on the recorder part, with a view of connecting the works with the instruments that might have once been used to play them. Furthermore, an overview of the social and cultural atmosphere of Naples in the early eighteenth century was offered as contextualization to the musical ambience, aided by iconographical references. Conclusions on performance practice are presented as a result of the combination of both research aspects. The artistic outcome of this study has brought together, in the CD "Dolce Napoli: sonate & concerti per flauto" but also in live performances, the two main aspects of the research: 'new' instruments and 'new' works.

Prof. dr. h.c. Ton Koopman (promotor), prof. Frans de Ruiter (promotor), prof. dr. Dinko Fabris (promotor), Peter van Heyghen (co-promotor)