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This research focusses on site-specific compositional and performance practices of music for organ and electronics and their musical-spatial values.
The principal aim of this research is to explore the confrontation between voice and electronics.
The main aim of this research project is to investigate the phonetic relations between vocal/electronic music and linguistics in the second half of the twentieth century.
Cathy van Eck's onderzoek richt zich op het artistieke gebruik van microfoons en luidsprekers, de apparaten die geluidsgolven omzetten in elektriciteit en omgekeerd.