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Doctoraatsverdediging Luk Vaes - Extended piano techniques: in theory, history and performance

Geplaatst op 22 dec. 2009

LUK VAES DEFENSE
22 december 2009 (16u15)
Academy Building, Rapenburg 73, Leiden

Gratis

Luk Vaes verdedigde op 22 december 2009 zijn doctoraatsthesis Extended piano techniques: in theory, history and performance practice voor de doctoraatscommissie en het aanwezige publiek.

Playing the piano with your forearm, plucking the strings, sawing through the piano: pianist Luk Vaes's doctoral dissertation covers all the techniques of play for which a piano is NOT designed. His defence ceremony will consist of three concerts and a public defence. 'Musicians were using the interior of their instruments 'as early as 1790.'

Making a glissando (or glide) over the piano keys as if you were gliding over the strings of a violin, producing so-called clusters on the keys with your fist or forearm, plucking the strings inside the piano, striking the piano strings, shortening a string with your finger while playing in order to create a higher note, sawing through a piano: these are all examples of extended piano techniques, the subject of Ghent pianist Luk Vaes' dissertation. Vaes: ‘I have shown that this is not some 20th century innovation, but that it has a much longer history; you can make beautiful music using these techniques and it doesn't have to damage the instrument, if you know what you're doing.'