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This research project aims at defining humor techniques related to operetta music scores, using three Belgian Belle Époque operettas as case studies, and developing a proposition to operationalize…
The research explores clarinet and bass clarinet preparation in a technologically up to date context and discusses the consequent transformation of the performer’s perceived and acknowledged identity.
This research project explores the ways in which a group of artists collaborate to create a new work, and compile a suggested working method for a co-created opera production, with a focus on…
This research investigates the dynamic of negotiation artists undergo when embracing programming languages and DIY electronics as objects of inquiry.
This research focusses on site-specific compositional and performance practices of music for organ and electronics and their musical-spatial values.
This research will be done from the performers’ perspective, but in collaboration with different composers for experimenting new amplified piano / pianist music.
The limitations of the electric guitar are also the limitations for the composer. Registers, spectrum, resonance, decay: all musical parameters are questioned in the search for a new and unheard…
The central aim of this research project is the study, design and development of new modes of interaction between sound and movement focusing on the role of the performer’s body and its multiple…
This doctoral trajectory investigated the collaborative process in musical-gestural pieces. Winnie Huang developed a performance practice allowing understanding of the skills required, with a focus…
Daniela's research concerned the composition of instrumental music implemented with a specific use of contact-piezo microphones.