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"Chordal Accompanimental Practices on viol from intabulation to realisation" looks at the techniques and influence of chordal and polyphonic accompaniment on viola da gamba in the sixteenth century.
viola da gamba, historical performance practice, intabulation, performance as research, aesthetics
This research project aims to revive the Renaissance practice of improvised counterpoint.
improvisation, counterpoint, memory, renaissance, diminutions
'Fare Musica Antica (Ebraica) reinventing a usable past' is a research project centered on Jewish poems from Italian sources, and their relation to extant repertoire: both notated music from Early…
authenticity, jewish, early, transmission, reception
Giuliano's research concerns the practice of transcribing – i.e. rewriting musical works from the past – in the context of contemporary music today.
composition, memory, cultural heritage, transcription, tradition
This research project seeks to understand the nature, characteristics and function of the secular vocal intabulations and dances found in Italian printed keyboard sources in the 16th century.
harpsichord, keyboard, historical keyboards
The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications)…
harpsichord, organ, technique
Johannes Boer's research intends to question the way explicit knowledge is applied in order to restore and perform music from the past with the intention to get as close as possible to its original…
historically informed performance practice, viola da gamba, Monteverdi
This project investigates the textural gap between music that can be improvised and that which can be practiced and learned to play. Specifically focussing on the the rich multi-textural nature of…
improvisation, performance, guitar, counterpoint, unaccompanied
This is the first monographic study on harp pedal techniques, tracing the historical way to pedal on the early pedal harps with a single-action pedal mechanism, the “harpe organisée”, the term used…
historically informed performance practice, basso continuo, hip, harp