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This research focusses on site-specific compositional and performance practices of music for organ and electronics and their musical-spatial values.
composition, performance practice, organ, electronics, space(s)
Case study Käte van Tricht (1909-1996)
hip, organ, historical informed performance practice, conductor, Käte van Tricht, Karel Straube
The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications)…
harpsichord, organ, technique
The principle of Werktreue, or fidelity to the musical work, has long been performers' most important ethical imperative. Yet, the rigid work concept may not be the best way to think about the fluid…
rhetorical memory, media studies, improvisation, ethics, harpsichord, organ
This dissertation theorises expressive divergence by examining the embodiment of single voices through the hierarchical structuring of coarticulation, and by showing how these multi-layered gestures…
piano, organ, conductor
Basso continuo in zijn meest elementaire vorm kan in de periode c.1600 - c.1800 worden beschouwd als een strikte realisatie van de harmonische structuur van een muziekstuk door middel van…
improvisation, basso continuo, harpsichord, continuo, continuo realization, figured bass, organ