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This research project proposes a complete methodology concerning the treatment of 18th and 19th century keyboard methods, aiming to enrich our understanding and perspectives of historically informed…
fingerings, clementi, keyboard methods, historically informed performance practice
The source and target domain of this research project is situated at the crossroads of composition, performance and education. The idea of this investigation is to develop field research on the…
contemporary music, composition, music and society, socio-cultural projects, composer and performer
Nowadays music is just a few mouse clicks away and comes to us in many different forms; yet, no matter in which circumstances, it is primarily linked to the auditory stimuli that it consists of.
embodiment, vision, cross-modal performance, audience reception
This research focuses on the investigation of the poetic potentials of negativity through the exploitation of failure in sound based artistic practices.
failure, negative, experimental music, sound art
The research project investigates the role of Artificial Intelligence in the artistic practice of a human composer in which AI is used to compose new music.
music composition, sound synthesis, deep learning, shepard tones, software
Different Tubes

Gestart in 2021 door Chiara Percivati

The research explores clarinet and bass clarinet preparation in a technologically up to date context and discusses the consequent transformation of the performer’s perceived and acknowledged identity.
clarinet and bass clarinet, instrumental preparation, human-technology relationship
This research focuses on theories of the sublime by the Berlin Enlightenment philosophers Moses Mendelssohn (1729–86) and Johann Georg Sulzer (1720–79).
the sublime, enlightenment philosophy, berlin, historical performance practice, galant style
This research is driven by the necessity to investigate the subject of performing instrumental works by Russian post-minimalist composers, and to explore possibilities of incorporating the spiritual…
post-minimalist, russian, spirituality
This research project aims at defining humor techniques related to operetta music scores, using three Belgian Belle Époque operettas as case studies, and developing a proposition to operationalize…
musical humor, operetta, humor techniques, player interaction, comic style characteristics
"Chordal Accompanimental Practices on viol from intabulation to realisation" looks at the techniques and influence of chordal and polyphonic accompaniment on viola da gamba in the sixteenth century.
viola da gamba, historical performance practice, intabulation, performance as research, aesthetics
The research project ‘Practice and Aesthetics of the improvising accordionist in jazz music: An endeavor to the implementation of Free-bass’ aims to rethink the harmonic…
improvisation, performance practice, jazz, accordion, free-bass
The chief outcome of this research will be current salon performances that are open to unexpected rituals and thus propose an alternative to established concert performances.
female performers in historical context, new performative concepts, 18th and 19th century music, new performative concepts of 18th- and 19th- century music, creating and curating 21-st century salon performances