The research project investigates the role of Artificial Intelligence in the artistic practice of a human composer in which AI is used to compose new music.
The research explores clarinet and bass clarinet preparation in a technologically up to date context and discusses the consequent transformation of the performer’s perceived and acknowledged identity.
This research examines adaptive performance practices in late 18th-century German chamber music, exploring historically informed performance (HIP) through historical arrangements, ensemble case…
This research is driven by the necessity to investigate the subject of performing instrumental works by Russian post-minimalist composers, and to explore possibilities of incorporating the spiritual…
This research project aims at defining humor techniques related to operetta music scores, using three Belgian Belle Époque operettas as case studies, and developing a proposition to operationalize…
"Chordal Accompanimental Practices on viol from intabulation to realisation" looks at the techniques and influence of chordal and polyphonic accompaniment on viola da gamba in the sixteenth century.
The research project ‘Practice and Aesthetics of the improvising accordionist in jazz music: An endeavor to the implementation of Free-bass’ aims to rethink the harmonic…
The chief outcome of this research will be current salon performances that are open to unexpected rituals and thus propose an alternative to established concert performances.
This research project explores the ways in which a group of artists collaborate to create a new work, and compile a suggested working method for a co-created opera production, with a focus on…
This research will be done from the performers’ perspective, but in collaboration with different composers for experimenting new amplified piano / pianist music.
