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'Early Music Beyond authenticity' proposes a new historical mode for Early Music wherein curation, editing, and performance are identified as fundamentally creative activities.
composition, interpretation, authenticity, historical theory, poststructuralism
This doctoral trajectory investigated the collaborative process in musical-gestural pieces. Winnie Huang developed a performance practice allowing understanding of the skills required, with a focus…
embodiment, performer, movement, musical-gestural, collaborative process
The central aim of this research project is the study, design and development of new modes of interaction between sound and movement focusing on the role of the performer’s body and its multiple…
body, experimentation, movement, acoustic feedback, medium
piano, transcription, arrangement, salon musical, performing practices
'Fare Musica Antica (Ebraica) reinventing a usable past' is a research project centered on Jewish poems from Italian sources, and their relation to extant repertoire: both notated music from Early…
authenticity, jewish, early, transmission, reception
This research aims to capture notions of musical time such as rhythm and tempo as they were conceived in late eighteenth-century, and how these evolved through the nineteenth century.
Beethoven, rhythm, tempo, piano
This project investigates what the philosophical en practical consequences are of a reappraisal of the 17th-and 18th-century concept of taste when it comes to general and historical performance…
taste, musical performance, theater, philosophy
The limitations of the electric guitar are also the limitations for the composer. Registers, spectrum, resonance, decay: all musical parameters are questioned in the search for a new and unheard…
electric guitar, limitations, amorphous 6-string, register, spectrum, resonance, decay
Daniela's research concerned the composition of instrumental music implemented with a specific use of contact-piezo microphones.
contact-piezo microphones, concrete sound, proximity, details, unconventional electronics
Marco Fusi investigated the complex creative process of Giacinto Scelsi, looking for interpretative suggestions residing within his artefacts. The subject of analysis was Scelsi's opus for strings.
Giacinto Scelsi, performance
The principal aim of this research is to explore the confrontation between voice and electronics.
voice, identity, electronics, confrontation, disembodiment
This study aims to explore problems, which may be summarized under historicity and idiosyncrasy, whereby Prach draws on his double experience as a fortepianist and a composer.
idiosyncrasy, fortepiano, composition, composer and performer

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