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The artistic research delves into the early creative periods of both artists in ancien régime Paris, using own experiences in bow making and as a violinist to enact both perspectives and to…
The repertoire for solo violin composed since the mid 20th century has grown to be extensive, encompassing all major compositional innovations occurring during this period.
In 2014, Franziska had the good fortune to acquire an exceptionally well-preserved, beautifully decorated, original salterio from 1725, built by Michele Barbi in Rome. After successful restoration,…
Giuliano's research concerns the practice of transcribing – i.e. rewriting musical works from the past – in the context of contemporary music today.
An investigation into the use of the 8’ and 16’ violone in the music leading up to and including J. S. Bach’s compositions in northern Germany in the 17th and 18th centuries.
This research project seeks to understand the nature, characteristics and function of the secular vocal intabulations and dances found in Italian printed keyboard sources in the 16th century.
The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications)…
The widespread availability of early-20th-century recordings has revealed to us the rich and changing performance history of the 20th century. The evidence presented to us by historical recordings…
Johannes Boer's research intends to question the way explicit knowledge is applied in order to restore and perform music from the past with the intention to get as close as possible to its original…
The era from the 1920s to the 1960s can be described as the vibraphone's early period. The instrument's development was mainly sparked by vaudeville and jazz musicians whose performances let to its…