The research constists of the following steps:
Step 1: Choose strands of musical materials: melodies, harmonic patterns, figurative patterns, etc.
Step 2: Layer these pieces of 'debris' in unforeseen ways and realize the result through pianistic practice.
Step 3: Evaluate the sounding results and repeat the process with a conscious awareness of processing musical materials in a way that increasingly bears my own sonic signature.
Prof. Frans de Ruiter (promotor), Marcel Cobussen (promotor), Rudolf Lutz