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Filters:
HIPP, Mozart, Narrative, Musical Rhetoric, Musical Topoi
composition, musical instrument making, musicology, tuning, organology
This research project proposes a complete methodology concerning the treatment of 18th and 19th century keyboard methods, aiming to enrich our understanding and perspectives of historically informed…
fingerings, clementi, keyboard methods, historically informed performance practice
Nowadays music is just a few mouse clicks away and comes to us in many different forms; yet, no matter in which circumstances, it is primarily linked to the auditory stimuli that it consists of.
embodiment, vision, cross-modal performance, audience reception
The research project ‘Practice and Aesthetics of the improvising accordionist in jazz music: An endeavor to the implementation of Free-bass’ aims to rethink the harmonic…
improvisation, performance practice, jazz, accordion, free-bass
The chief outcome of this research will be current salon performances that are open to unexpected rituals and thus propose an alternative to established concert performances.
female performers in historical context, new performative concepts, 18th and 19th century music, new performative concepts of 18th- and 19th- century music, creating and curating 21-st century salon performances
This research will be done from the performers’ perspective, but in collaboration with different composers for experimenting new amplified piano / pianist music.
extended techniques, piano, microphones, experimentation, collaboration between composers and performers
This research focusses on site-specific compositional and performance practices of music for organ and electronics and their musical-spatial values.
composition, performance practice, organ, electronics, space(s)
Informed Phrasing.

Gestart in 2018 door Nadav Katan

'Informed Phrasing' will suggest a new way to incorporate analytical findings into musical performance.
analytically informed performance practice, phrasing, schenker analysis, temporal gestalt theory
piano, transcription, arrangement, salon musical, performing practices
This research aims to capture notions of musical time such as rhythm and tempo as they were conceived in late eighteenth-century, and how these evolved through the nineteenth century.
Beethoven, rhythm, tempo, piano
This study aims to explore problems, which may be summarized under historicity and idiosyncrasy, whereby Prach draws on his double experience as a fortepianist and a composer.
idiosyncrasy, fortepiano, composition, composer and performer