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19th-century piano music, performance, metaphor, semiology, Beethoven
emergence, environment, AI, assemblage, hyperobject, algorithmic composition, new materialism, posthumanism
computer-aided composition, computer music, software, tools, affordances
postnatural art, interdisciplinary performance, ecology, non-human agency, composition
clavichord, affordances, materiality, hip, C. P. E. Bach
HIPP, Mozart, Narrative, Musical Rhetoric, Musical Topoi
composition, musical instrument making, musicology, tuning, organology
This research project proposes a complete methodology concerning the treatment of 18th and 19th century keyboard methods, aiming to enrich our understanding and perspectives of historically informed…
fingerings, clementi, keyboard methods, historically informed performance practice
Nowadays music is just a few mouse clicks away and comes to us in many different forms; yet, no matter in which circumstances, it is primarily linked to the auditory stimuli that it consists of.
embodiment, vision, cross-modal performance, audience reception
The research project ‘Practice and Aesthetics of the improvising accordionist in jazz music: An endeavor to the implementation of Free-bass’ aims to rethink the harmonic…
improvisation, performance practice, jazz, accordion, free-bass
The chief outcome of this research will be current salon performances that are open to unexpected rituals and thus propose an alternative to established concert performances.
female performers in historical context, 18th and 19th century music, Exploring and test new performative concepts of the 18th and 19th-century music, Staging and curating a 21st-
This research will be done from the performers’ perspective, but in collaboration with different composers for experimenting new amplified piano / pianist music.
extended techniques, piano, microphones, experimentation, collaboration between composers and performers