This research project proposes a complete methodology concerning the treatment of 18th and 19th century keyboard methods, aiming to enrich our understanding and perspectives of historically informed…
Nowadays music is just a few mouse clicks away and comes to us in many different forms; yet, no matter in which circumstances, it is primarily linked to the auditory stimuli that it consists of.
The research project ‘Practice and Aesthetics of the improvising accordionist in jazz music: An endeavor to the implementation of Free-bass’ aims to rethink the harmonic…
This research will be done from the performers’ perspective, but in collaboration with different composers for experimenting new amplified piano / pianist music.
This research focusses on site-specific compositional and performance practices of music for organ and electronics and their musical-spatial values.
'Informed Phrasing' will suggest a new way to incorporate analytical findings into musical performance.
This research aims to capture notions of musical time such as rhythm and tempo as they were conceived in late eighteenth-century, and how these evolved through the nineteenth century.
This study aims to explore problems, which may be summarized under historicity and idiosyncrasy, whereby Prach draws on his double experience as a fortepianist and a composer.