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This research will be done from the performers’ perspective, but in collaboration with different composers for experimenting new amplified piano / pianist music.
This research focusses on site-specific compositional and performance practices of music for organ and electronics and their musical-spatial values.
This research project aims to revive the Renaissance practice of improvised counterpoint.
Informed Phrasing will suggest a new way to incorporate analytical findings into musical performance.
'Early Music Beyond authenticity' proposes a new historical mode for Early Music wherein curation, editing, and performance are identified as fundamentally creative activities
The central aim of this research project is the study, design and development of new modes of interaction between sound and movement focusing on the role of the performer’s body and its multiple…
'Fare Musica Antica (Ebraica) reinventing a usable past' is a research project centered on Jewish poems from Italian sources, and their relation to extant repertoire: both notated music from Early…
This research aims to capture notions of musical time such as rhythm and tempo as they were conceived in late eighteenth-century, and how these evolved through the nineteenth century.
This project investigates what the philosophical en practical consequences are of a reappraisal of the 17th-and 18th-century concept of taste when it comes to general and historical performance…
The limitations of the electric guitar are also the limitations for the composer. Registers, spectrum, resonance, decay: all musical parameters are questioned in the search for a new and unheard…