Nowadays music is just a few mouse clicks away and comes to us in many different forms; yet, no matter in which circumstances, it is primarily linked to the auditory stimuli that it consists of.
"Chordal Accompanimental Practices on viol from intabulation to realisation" looks at the techniques and influence of chordal and polyphonic accompaniment on viola da gamba in the sixteenth century.
The research project ‘Practice and Aesthetics of the improvising accordionist in jazz music: An endeavor to the implementation of Free-bass’ aims to rethink the harmonic…
The chief outcome of this research will be current salon performances that are open to unexpected rituals and thus propose an alternative to established concert performances.
This research project explores the ways in which a group of artists collaborate to create a new work, and compile a suggested working method for a co-created opera production, with a focus on…
This research will be done from the performers’ perspective, but in collaboration with different composers for experimenting new amplified piano / pianist music.
The limitations of the electric guitar are also the limitations for the composer. Registers, spectrum, resonance, decay: all musical parameters are questioned in the search for a new and unheard…
This project investigates what the philosophical en practical consequences are of a reappraisal of the 17th-and 18th-century concept of taste when it comes to general and historical performance…
