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Nowadays music is just a few mouse clicks away and comes to us in many different forms; yet, no matter in which circumstances, it is primarily linked to the auditory stimuli that it consists of.
This research focuses on the investigation of the poetic potentials of negativity through the exploitation of failure in sound based artistic practices
The research project investigates the role of Artificial Intelligence in the artistic practice of a human composer in which AI is used to compose new music
The research explores clarinet and bass clarinet preparation in a technologically up to date context and discusses the consequent transformation of the performer’s perceived and acknowledged identity.
This research focuses on theories of the sublime by the Berlin Enlightenment philosophers Moses Mendelssohn (1729–86) and Johann Georg Sulzer (1720–79).
This research is driven by the necessity to investigate the subject of performing instrumental works by Russian post-minimalist composers, and to explore possibilities of incorporating the spiritual…
This research project aims at defining humor techniques related to operetta music scores, using three Belgian Belle Époque operettas as case studies, and developing a proposition to operationalize…
"Chordal Accompanimental Practices on viol from intabulation to realisation" looks at the techniques and influence of chordal and polyphonic accompaniment on viola da gamba in the sixteenth century.
The research project ‘Practice and Aesthetics of the improvising accordionist in jazz music: An endeavor to the implementation of Free-bass’ aims to rethink the harmonic…
This research investigates the dynamic of negotiation artists undergo when embracing programming languages and DIY electronics as objects of inquiry.
This research project explores the ways in which a group of artists collaborate to create a new work, and compile a suggested working method for a co-created opera production, with a focus on…