The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications)…
Johannes Boer's research intends to question the way explicit knowledge is applied in order to restore and perform music from the past with the intention to get as close as possible to its original…
The main aim of this research project is to investigate the phonetic relations between vocal/electronic music and linguistics in the second half of the twentieth century.
What kinds of vocal music were not typically transmitted in written musical notation? Can specific ‘lost’ song forms - siciliane, giustiniane, le Grechesche, gli stili “regionali“ nel canto del…
This artistic research project exposes Robert Mitchell's attempts to layer musical materials from the core of the classical piano repertoire - in this case, materials from scores and sketches of…
This project investigates the textural gap between music that can be improvised and that which can be practiced and learned to play. Specifically focussing on the the rich multi-textural nature of…
This research will attempt to track all the important Cretan music elements that can be developed on the ney, and to invent new interpretative ney techniques for these.
Although the space for creativity in regard to performance in improvised music is generally assumed to be greater than e.g. in classical music, I would argue it is restricted in many ways. The aim of…
