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The principal aim of this research is to explore the confrontation between voice and electronics.
This study aims to explore problems, which may be summarized under historicity and idiosyncrasy, whereby Prach draws on his double experience as a fortepianist and a composer.
A comprehensive guide on how to achieve convincing and credible transcriptions and informed interpretations of Johann Sebastian Bach's music on guitar.
This research project is mainly focused on how to reconstruct the middle parts (videlicet haute-contres, tailles and quintes) from French orchestral pieces, which survived only in their reduced forms…
The speed of rhythms in live acoustic music, literally the velocity at which notes are sounding, can be defined in absolute terms based on clock time. But there is also the perceived speed that, in…
The Stroh violin or “horn violin” is a relatively unknown instrument designed at the turn of the century, a time when sound recording was in its infancy and the Stroh was favourable over a standard…
This research essentially concentrates on the realization of fixed media electroacoustic music into aural reality, dealing with issues such as performance, interpretation, reproduction and…
Composers have recently integrated techniques proper to saxophone without mouthpiece attached to the neckpiece within their works. This doctoral project sheds light on the artistic possibilities,…
Giuliano's research concerns the practice of transcribing – i.e. rewriting musical works from the past – in the context of contemporary music today.
An investigation into the use of the 8’ and 16’ violone in the music leading up to and including J. S. Bach’s compositions in northern Germany in the 17th and 18th centuries.
This research project seeks to understand the nature, characteristics and function of the secular vocal intabulations and dances found in Italian printed keyboard sources in the 16th century.