An investigation into the use of the 8’ and 16’ violone in the music leading up to and including J. S. Bach’s compositions in northern Germany in the 17th and 18th centuries.
This research project seeks to understand the nature, characteristics and function of the secular vocal intabulations and dances found in Italian printed keyboard sources in the 16th century.
The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications)…
The widespread availability of early-20th-century recordings has revealed to us the rich and changing performance history of the 20th century. The evidence presented to us by historical recordings…
Johannes Boer's research intends to question the way explicit knowledge is applied in order to restore and perform music from the past with the intention to get as close as possible to its original…
The era from the 1920s to the 1960s can be described as the vibraphone's early period. The instrument's development was mainly sparked by vaudeville and jazz musicians whose performances let to its…
This project poses the question if it is possible to abandon the faithful reproduction of a score without rejecting the legacy of Western notated art music
Throughout the 20th century, the guitar has proven itself to be an instrument of many possibilities due to the increased interest shown by avant-garde composers. Several of these composers and/or…
What kinds of vocal music were not typically transmitted in written musical notation? Can specific ‘lost’ song forms - siciliane, giustiniane, le Grechesche, gli stili “regionali“ nel canto del…
Research on the life and work of Giovanni Punto (1746-1803), hornplayer, composer, conductor, violinist; who traveled Europe as a virtuoso on the horn, performing his own concerti and chamber music…
