'Early Music Beyond authenticity' proposes a new historical mode for Early Music wherein curation, editing, and performance are identified as fundamentally creative activities
This doctoral trajectory investigated the collaborative process in musical-gestural pieces. Winnie Huang developed a performance practice allowing understanding of the skills required, with a focus…
'Fare Musica Antica (Ebraica) reinventing a usable past' is a research project centered on Jewish poems from Italian sources, and their relation to extant repertoire: both notated music from Early…
This project investigates what the philosophical en practical consequences are of a reappraisal of the 17th-and 18th-century concept of taste when it comes to general and historical performance…
The limitations of the electric guitar are also the limitations for the composer. Registers, spectrum, resonance, decay: all musical parameters are questioned in the search for a new and unheard…
The central aim of this research project is the study, design and development of new modes of interaction between sound and movement focusing on the role of the performer’s body and its multiple…
This study aims to explore problems, which may be summarized under historicity and idiosyncrasy, whereby Prach draws on his double experience as a fortepianist and a composer.
Marco Fusi investigated the complex creative process of Giacinto Scelsi, looking for interpretative suggestions residing within his artefacts. The subject of analysis was Scelsi's opus for strings.
This research project is mainly focused on how to reconstruct the middle parts (videlicet haute-contres, tailles and quintes) from French orchestral pieces, which survived only in their reduced forms…
