This doctoral trajectory investigated the collaborative process in musical-gestural pieces. Winnie Huang developed a performance practice allowing understanding of the skills required, with a focus…
Marco Fusi investigated the complex creative process of Giacinto Scelsi, looking for interpretative suggestions residing within his artefacts. The subject of analysis was Scelsi's opus for strings.
Kevin Toksöz Fairbairn performs contemporary repertoire distinguished by physically decoupled notations or physical polyphonic notations, a unique and relatively recent trend in musical notation that…
An analysis of the airs sérieux contained in the RASB published by the house of Ballard during the period 1695 to 1715 and a search for greater performance authenticity.
The artistic research delves into the early creative periods of both artists in ancien régime Paris, using own experiences in bow making and as a violinist to enact both perspectives and to…
In 2014, Franziska had the good fortune to acquire an exceptionally well-preserved, beautifully decorated, original salterio from 1725, built by Michele Barbi in Rome. After successful restoration,…
The widespread availability of early-20th-century recordings has revealed to us the rich and changing performance history of the 20th century. The evidence presented to us by historical recordings…
This project poses the question if it is possible to abandon the faithful reproduction of a score without rejecting the legacy of Western notated art music
Research on the life and work of Giovanni Punto (1746-1803), hornplayer, composer, conductor, violinist; who traveled Europe as a virtuoso on the horn, performing his own concerti and chamber music…
The principle of Werktreue, or fidelity to the musical work, has long been performers' most important ethical imperative. Yet, the rigid work concept may not be the best way to think about the fluid…
