This research project is mainly focused on how to reconstruct the middle parts (videlicet haute-contres, tailles and quintes) from French orchestral pieces, which survived only in their reduced forms…
This research project seeks to understand the nature, characteristics and function of the secular vocal intabulations and dances found in Italian printed keyboard sources in the 16th century.
The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications)…
The principle of Werktreue, or fidelity to the musical work, has long been performers' most important ethical imperative. Yet, the rigid work concept may not be the best way to think about the fluid…
This artistic research project exposes Robert Mitchell's attempts to layer musical materials from the core of the classical piano repertoire - in this case, materials from scores and sketches of…
This dissertation theorises expressive divergence by examining the embodiment of single voices through the hierarchical structuring of coarticulation, and by showing how these multi-layered gestures…
Although the space for creativity in regard to performance in improvised music is generally assumed to be greater than e.g. in classical music, I would argue it is restricted in many ways. The aim of…
In dit onderzoek heeft Barbara Varassi Pega zich verdiept in de samenstellende delen van de zg. ‘River Plate-tango’ teneinde de sleutel te vinden voor het antwoord op de vraag hoe het specifieke…
The present examination of Paisiello’s pedagogical work is based primarily on two sources: the Regole, printed in 1782 in St. Petersburg, as well as the autograph manuscript, and forty-one…
