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This research project is mainly focused on how to reconstruct the middle parts (videlicet haute-contres, tailles and quintes) from French orchestral pieces, which survived only in their reduced forms…
videlicet haute-contres, tailles, quintes, french orchestral pieces, reconstruction, post-lully
This research essentially concentrates on the realization of fixed media electroacoustic music into aural reality, dealing with issues such as performance, interpretation, reproduction and…
performance, interpretation, fixed media music, materialization, reproduction
The Stroh violin or “horn violin” is a relatively unknown instrument designed at the turn of the century, a time when sound recording was in its infancy and the Stroh was favourable over a standard…
Stroh violin, horn violin
An investigation into the use of the 8’ and 16’ violone in the music leading up to and including J. S. Bach’s compositions in northern Germany in the 17th and 18th centuries.
violone, Bach
Case study Käte van Tricht (1909-1996)
hip, organ, historical informed performance practice, conductor, Käte van Tricht, Karel Straube
This research project seeks to understand the nature, characteristics and function of the secular vocal intabulations and dances found in Italian printed keyboard sources in the 16th century.
harpsichord, keyboard, historical keyboards
The aim of this research is to define the relationship between sources of articulation for different kinds of instrument in the period between the beginning of XVI century (first extant indications)…
harpsichord, organ, technique
What kinds of vocal music were not typically transmitted in written musical notation? Can specific ‘lost’ song forms - siciliane, giustiniane, le Grechesche, gli stili “regionali" nel canto del…
voice, medieval italy, Canterini, Giustiniane, traditional singing, quattrocento
This artistic research project exposes Robert Mitchell's attempts to layer musical materials from the core of the classical piano repertoire - in this case, materials from scores and sketches of…
improvisation, piano, schumann
This project investigates the textural gap between music that can be improvised and that which can be practiced and learned to play. Specifically focussing on the the rich multi-textural nature of…
improvisation, performance, guitar, counterpoint, unaccompanied
This research will attempt to track all the important Cretan music elements that can be developed on the ney, and to invent new interpretative ney techniques for these.
ney, traditional Greek music, Cretan music
Although the space for creativity in regard to performance in improvised music is generally assumed to be greater than e.g. in classical music, I would argue it is restricted in many ways. The aim of…
acoustic sound alteration, environmental sound, audience behavior, multimedia, controlled interactivity, didactic plan, composition rules, piano