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This project proposes to explore the different intersections between experimental rock music of the 1960s and 1970s and electroacoustic music, with regard to studio practices and production…
The research investigates theoretical issues about community radio, collective listening, the socio-political agency of radio as a medium, new media technological development, and artistic…
This research focuses on the investigation of the poetic potentials of negativity through the exploitation of failure in sound based artistic practices
The research project investigates the role of Artificial Intelligence in the artistic practice of a human composer in which AI is used to compose new music
The research project ‘Practice and Aesthetics of the improvising accordionist in jazz music: An endeavor to the implementation of Free-bass’ aims to rethink the harmonic…
This research investigates the dynamic of negotiation artists undergo when embracing programming languages and DIY electronics as objects of inquiry.
This research focusses on site-specific compositional and performance practices of music for organ and electronics and their musical-spatial values.
'Early Music Beyond authenticity' proposes a new historical mode for Early Music wherein curation, editing, and performance are identified as fundamentally creative activities
Daniela's research concerned the composition of instrumental music implemented with a specific use of contact-piezo microphones.
The principal aim of this research is to explore the confrontation between voice and electronics.
The speed of rhythms in live acoustic music, literally the velocity at which notes are sounding, can be defined in absolute terms based on clock time. But there is also the perceived speed that, in…
This research essentially concentrates on the realization of fixed media electroacoustic music into aural reality, dealing with issues such as performance, interpretation, reproduction and…