'Early Music Beyond authenticity' proposes a new historical mode for Early Music wherein curation, editing, and performance are identified as fundamentally creative activities
The speed of rhythms in live acoustic music, literally the velocity at which notes are sounding, can be defined in absolute terms based on clock time. But there is also the perceived speed that, in…
This research essentially concentrates on the realization of fixed media electroacoustic music into aural reality, dealing with issues such as performance, interpretation, reproduction and…
The main aim of this research project is to investigate the phonetic relations between vocal/electronic music and linguistics in the second half of the twentieth century.
My research topic is rhythm and rhythm notation in Western research, music theory, and practice. The research aims to investigate the role music notation held in shaping time, i.e. how musical…
Music performance with technological instruments questions the relationship between embodied experience, situated cognition and the instrument. Key elements that constitute a present, aware and…
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or ‘early’ music. Ensembles perform pieces written by known or lesser known composers, which the…
By exploring the possible functions of freedom and fixity as they exist in composition this research aims to be relevant not only to musicians and scholars but also to listeners in general.
This study utilises a tripartite methodology involving artistic practice, cognitive experimentation and theoretical discourse to investigate the cognitive idiosyncrasies experienced by both the…
