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Giuliano's research concerns the practice of transcribing – i.e. rewriting musical works from the past – in the context of contemporary music today.
The main aim of this research project is to investigate the phonetic relations between vocal/electronic music and linguistics in the second half of the twentieth century.
My research topic is rhythm and rhythm notation in Western research, music theory, and practice. The research aims to investigate the role music notation held in shaping time, i.e. how musical…
Music performance with technological instruments questions the relationship between embodied experience, situated cognition and the instrument. Key elements that constitute a present, aware and…
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or ‘early’ music. Ensembles perform pieces written by known or lesser known composers, which the…
By exploring the possible functions of freedom and fixity as they exist in composition this research aims to be relevant not only to musicians and scholars but also to listeners in general.
This study utilises a tripartite methodology involving artistic practice, cognitive experimentation and theoretical discourse to investigate the cognitive idiosyncrasies experienced by both the…
The aesthetic universe of an artist is his or her world of aesthetic thought and knowledge. This aesthetic universe may have its own ‘endophysical laws’. The present doctoral research in the arts…
Although the guitar has been part of the classical music tradition for centuries, writing for the guitar remains a formidable challenge for many composers. Where orchestral instruments have a long…
Clerc's dissertation explores various perspectives on the term immersion, and its relation with, and transformation through, a composer’s practice. Immersion is presented as a key…
This research offers multiple paths towards the development of a performance practice in computer music. Some of the questions posed are the following: What is the role of the performer in…
The focus of the research lies in the approach of reducing, denying, or taking away essential elements of music making in order to let the musician become theatrical.