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This research project seeks to understand the nature, characteristics and function of the secular vocal intabulations and dances found in Italian printed keyboard sources in the 16th century.
harpsichord, keyboard, historical keyboards
My research topic is rhythm and rhythm notation in Western research, music theory, and practice. The research aims to investigate the role music notation held in shaping time, i.e. how musical…
rhythm, music notation, ancient Greek music, polyphony, contemporary music, composition
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or ‘early’ music. Ensembles perform pieces written by known or lesser known composers, which the…
improvisation, composition, counterpoint, renaissance music, musical education, performance practice, voice
Anıl Çamcı onderzoekt de specifieke cognitieve eigenschappen van het luisteren naar elektronische muziek. Hij maakt hierbij gebruik van een methodologie waarbij artistieke praktijk, cognitieve…
composition, cognition, gesture, diegesis, electronic music, semantics
In dit onderzoek heeft Barbara Varassi Pega zich verdiept in de samenstellende delen van de zg. ‘River Plate-tango’ teneinde de sleutel te vinden voor het antwoord op de vraag hoe het specifieke…
piano, tango, Pugliese, Salgán, Piazzolla, Beytelmann, creation, artistic processes, innovations
The performance practice of Italian instrumental music in relation to vocal music and text: sources and their modern realization.
text-underlay, 18th-century, Tartini, Geminiani, Corri, transverse flute
Anne Marie Dragosits' proefschrift behandelt Giovanni Girolama Kapsperger en zijn vocale oeuvre.
basso continuo, Kapsperger, vocal music, harpsichord, ornamentation, affetto, passaggi, Rome