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flute, performance practice, organology, 16th century, hip
embodiment, soundscapes, domestic singing, devotional songs
This research project explores the ways in which a group of artists collaborate to create a new work, and compile a suggested working method for a co-created opera production, with a focus on…
improvisation, contemporary music, conductor, opera, new opera, opera creation, shared leadership, co-creation, opera making
The principal aim of this research is to explore the confrontation between voice and electronics.
voice, identity, electronics, confrontation, disembodiment
An analysis of the airs sérieux contained in the RASB published by the house of Ballard during the period 1695 to 1715 and a search for greater performance authenticity.
RASB, performance authenticity, airs sérieux, Ballard, social function, performance context
What kinds of vocal music were not typically transmitted in written musical notation? Can specific ‘lost’ song forms - siciliane, giustiniane, le Grechesche, gli stili “regionali" nel canto del…
voice, medieval italy, Canterini, Giustiniane, traditional singing, quattrocento
Today’s performances of medieval polyphony have a lot in common with those of other ‘classical’ or ‘early’ music. Ensembles perform pieces written by known or lesser known composers, which the…
improvisation, composition, counterpoint, renaissance music, musical education, performance practice, voice
Grenzen van het hoorbare vangt aan met de omslag in de vokale muziek die luisteraars gedurende de laatste vijf decennia in staat stelt om harmonischen als schijnbaar afzonderlijke muzikale objecten…
polyphony, voice, harmonics, timbre, overtone singing, listening, phenomenology, ethnomusicology, body, Michael Vetter
Hendrik Vanden Abeele voerde onderzoek naar de ontwikkeling, constructie en creatie van een hedendaagse uitvoeringspraktijk van laatmiddeleeuws gregoriaans. De gregoriaanse zanger van vandaag wordt…
performance practice, voice, plainchant, plainsong